The love affair of Maniratnam with Raavanan is not yet over for, Arjun is portrayed as a well learned biblical scholar who engages in wishful sins. ![]() The first 15 minutes of the movie essentially portrays what to expect from from the whole movie itself. The dialogue of Arjun, wherein he says,he came to Seminary just to escape poverty does make the intent of the antagonist much clearer and also reflects the realism. The initial scenes in Seminary and the dialogues sets the landscape for the story of 'Kadal', which is essentially a clash of ideologies between God seeking Aravindswamy (Sam) and self proclaimed son of Satan,Arjun Sarja (Bergmans). ![]() They bring out the raw energy through usage of slang that is prevalent in Christian fisherman villages of South Tamilnadu. This cliché is broken, for the dialogues are written by acclaimed writer Jeyamohan and the screenplay is jointly sketched by Maniratnam and Jeyamohan. Maniratnam movies always evoke a loud 'boo', from supposed mass-oriented audience,for the characters of his movies are usually upper middle class intelligentsia, who speak in measured tone and this pattern is fitted on to characters from other social classes as well.
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